My Current TV Show Obsessions: A Binge-Watcher’s Guide to What I’m Watching Now

In today’s golden age of television, finding the next captivating series to dive into is a delightful challenge. While I might not be a constant viewer, when I do commit, I commit fully. My ideal weekly ritual involves grabbing my trusty remote, a generous bowl of popcorn, and settling in for hours of uninterrupted TV bliss. Whether it’s discovering hidden gems on Netflix or catching up on recorded episodes from my DVR, the quest for compelling storytelling never ends. This article is a peek into my viewing habits, sharing the shows that have completely captured my imagination, those I’ve had to reluctantly part ways with, and a few highly recommended series still on my radar. Join me as I explore the diverse landscape of modern television, from gritty dramas to quirky comedies, and perhaps you’ll find your next binge-worthy obsession or share some of your own must-watch picks!

Without a doubt, Banshee stands out as one of the most enthralling and original series to emerge in recent memory. I’m currently immersing myself in reruns of the first two seasons, and it consistently exceeds all expectations. This Cinemax original is a masterclass in high-octane entertainment, blending intense violence, steamy romance, and just enough self-aware cheesiness to create an undeniably entertaining drama. It’s a show that grabs you from the first scene and refuses to let go, offering a unique blend of action, suspense, and character development, making it a truly binge-worthy experience.

The series stars the incredibly charismatic Antony Starr as Lucas Hood, an ex-con whose complex morality makes him a character you simultaneously love and loathe. Hood’s ingenious, albeit reckless, plan involves assuming the identity of the new sheriff in the quaint, Amish-heavy town of Banshee, Pennsylvania. His motivation? To escape the relentless pursuit of the mob and, more profoundly, to reunite with his former lover and partner-in-crime, Carrie Hopewell (played by Ivana Miličević), who has also built a new, seemingly respectable life under an assumed identity. The tension between their past and present lives, the constant threat of discovery, and Hood’s unorthodox methods of upholding a twisted sense of justice make for an explosive cocktail of drama. The fight sequences are meticulously choreographed and brutally impactful, the emotional stakes are incredibly high, and the underlying mystery keeps viewers on the edge of their seats. Banshee is not just a show; it’s an experience, a gritty, stylish, and unforgettable journey into a world where rules are made to be broken, making every episode a thrilling ride.

There was a time when reality television offered a certain escapist charm, a guilty pleasure that provided lighthearted entertainment. Kendra On Top, for instance, used to be a genuinely fun and engaging show, showcasing Kendra Wilkinson’s unique personality and her family life. However, like many reality series, it eventually took a dramatic turn that, for me, crossed the line from entertaining drama to uncomfortable voyeurism. The focus shifted to deeply personal and often painful relationship struggles, specifically the fallout surrounding allegations involving Hank and the unfolding drama with a transgender woman. This transition felt less like authentic storytelling and more like exploiting raw emotional pain for ratings, which ultimately diminished its appeal and made it difficult to watch.

Similarly, my experience with True Tori was driven by a morbid curiosity, an obligation to witness the unfolding train wreck that Dean McDermott’s actions had precipitated within his marriage to Tori Spelling. While I’ve always admired Tori Spelling’s unique brand, particularly her cute and crafty endeavors, the reality show itself became too difficult to stomach. I found myself unable to get through an entire episode, not because of a lack of interest in the individuals, but because the raw, unfiltered display of marital breakdown, especially with children involved, was profoundly sad. Instead of offering entertainment, it evoked a sense of discomfort and empathy for the real-life struggles depicted on screen. My personal philosophy for TV viewing leans towards escapism and enjoyment, and watching such deeply personal anguish play out for public consumption simply does not align with what I seek in entertainment. Sometimes, knowing when to switch off and protect your own emotional space is just as important as finding something new to watch, making these shows ones I’ve definitely moved “over it.”

There are some shows that leave an indelible mark, and for me, The Blacklist is unequivocally one of them. My enduring obsession with this series can be distilled into one core element: James Spader as Raymond “Red” Reddington. And truly, that is all one needs to say. Spader’s portrayal of the enigmatic, charming, and utterly ruthless criminal mastermind is nothing short of a masterclass in acting, elevating the entire show to an exceptional level and cementing its place as an absolute must-watch for fans of crime thrillers.

The premise is instantly captivating: “Red” Reddington, one of the FBI’s most wanted fugitives, mysteriously surrenders himself and offers to help catch a list of dangerous criminals that nobody even knew existed. His catch? He will only work with rookie FBI profiler Elizabeth Keen (played by Megan Boone). This unusual partnership forms the backbone of a thrilling, conspiracy-laden drama filled with unexpected twists and turns. Red is a character of infinite contradictions – eloquent yet menacing, deeply loyal yet utterly self-serving, a philosopher and a cold-blooded killer. Spader infuses Red with a distinctive vocal cadence, a mesmerizing stare, and a theatricality that makes every line of dialogue, every subtle gesture, a moment to savor. He effortlessly commands every scene he’s in, whether he’s delivering a chilling monologue, sharing a witty anecdote, or executing a brutal act of violence. The complex chemistry between Red and Elizabeth, the intricate mythology surrounding Red’s past, and the high-stakes cat-and-mouse games against global criminals ensure that The Blacklist remains a captivating watch. It’s a show that consistently delivers suspense, intelligence, and, above all, the unparalleled performance of James Spader, making it an old obsession that I can revisit time and time again with unwavering fascination.

Among the multitude of acclaimed television series, Parenthood consistently surfaces in conversations about heartwarming and deeply resonant dramas. I constantly hear rave reviews about how amazing this show is, lauded for its realistic portrayal of family dynamics, its poignant storylines, and its ability to evoke genuine emotion. It delves into the lives of the sprawling Braverman family, exploring the challenges, joys, and complexities of raising children, navigating marital struggles, dealing with sibling rivalries, and facing life’s unpredictable twists and turns. The series is celebrated for its authenticity, often feeling less like a scripted drama and more like a window into real family life, earning it a special place in the hearts of many.

However, my only hesitation, and frankly, my primary reason for not having started it yet, is the prevailing reputation it has as a significant “tear-jerker.” While I appreciate well-crafted narratives and emotional depth, I generally lean towards entertainment that uplifts or thrillingly distracts, rather than something that consistently moves me to tears. My preferred viewing experience often involves escaping into fantasy, solving mysteries, or laughing wholeheartedly. The thought of investing in a show knowing I’ll likely need a box of tissues by my side has, perhaps unfairly, kept me from diving into what many consider a television masterpiece. Yet, the persistent recommendations from friends and critics alike suggest that the emotional journey it offers is profoundly rewarding, making me continue to “keep meaning to watch” it, hoping one day I’ll be in the right frame of mind to embrace its heartfelt embrace and perhaps discover the beauty in a good cry that everyone raves about.

Some shows achieve classic status not just for their groundbreaking premises but for their enduring rewatchability. For me, Weeds falls squarely into this category. This dark comedy, which first premiered in 2005, masterfully blends satire, drama, and criminal enterprise, creating a truly unique viewing experience that still holds up years later. The primary reason I find myself returning to it over and over again lies with its iconic protagonist: Nancy Botwin, portrayed brilliantly by Mary-Louise Parker. Behind all the audacious dark humor, the escalating illicit activities, and the constant threat of danger, there’s Nancy Botwin and her ridiculously adorable outfits, which are a character in themselves. I absolutely love it!

The series kicks off with Nancy, a recently widowed suburban mother, who turns to selling marijuana to maintain her affluent lifestyle after her husband’s sudden death. What begins as a desperate measure quickly spirals into a complex and often hilarious journey through the criminal underworld, taking Nancy and her family from their picture-perfect Agrestic home to various bizarre and dangerous locales. Weeds brilliantly explores themes of suburban malaise, morality, family loyalty, and the American dream twisted into a new form. Nancy is a compelling anti-hero, constantly making questionable decisions but always with a fierce devotion to her children, even if her methods are utterly unconventional. The sharp writing, memorable supporting characters (like the ever-present Doug Wilson and the formidable Esteban Reyes), and the show’s willingness to constantly reinvent itself kept audiences hooked for its eight-season run. It’s a show that isn’t afraid to push boundaries, delivering laughs, gasps, and moments of genuine tension. Revisiting Weeds is like catching up with an old, wonderfully complicated friend, and Nancy Botwin’s audacious style and unwavering resilience continue to be a source of endless entertainment and inspiration, making it a timeless classic in my viewing rotation.

While my television diet includes a ton more captivating series, the ones I’ve highlighted here are currently occupying prime real estate on my DVR and are in heavy rotation on Netflix. From intense dramas to poignant family sagas and quirky dark comedies, my current watchlist is as diverse as the world of streaming itself. Now, the burning question remains: I need some fresh recommendations! What shows are you guys currently watching that you can’t get enough of? Share your must-see picks in the comments below – I’m always on the hunt for my next great binge!